ELISABETH VIGEE LE BRUN MARIE ANTOINETTE HOW TO
Visual analysis Why look at art? A-level: How to do visual (formal) analysis Describing what you see: Sculpture, Henry Moore's Reclining Figure Glossary Painting Looking at paintings Ways of looking: Expression and modern art Key terms + concepts Chiaroscuro explained Foreshortening explained Linear perspective explained Atmospheric perspective explained Art Terms in Action-Tint, Shade, and Tone A brief history of the representation of the body in Western painting Materials + techniques + processes Art Terms in Action-Paint Oil paint The conservator’s eye-Anselm Kiefer, Bohemia Lies by the Sea Tempera paint The conservator's eye-Taddeo Gaddi, Saint Julian Gold-ground panel painting Making Green-Tempera versus Oil Making Purple-The Science of Art Sculpture A brief history of the representation of the body in Western sculpture Contrapposto explained The conservator's eye-Marble statue of a wounded warrior Quarrying and carving marble Carving Marble with Traditional Tools Bronze Casting Using the "Lost Wax" Technique Adriaen de Vries's bronze casting technique: direct lost-wax method Architecture The Greek architectural orders Themes Nature in art and architecture Specified artists + architects Albrecht Dürer About the artist Woodcuts and engravings The Large Piece of Turf Adam and Eve Browse Dürer on Smarthistory J.M.W.
Elena FitzPatrick Sifford on casta paintings Reframing Art History, a new kind of textbook.Not your grandfather’s art history: a BIPOC Reader.With 503 contributors from 201 colleges, universities, museums, and researchĬenters, Smarthistory is the most-visited art history resource in the world. We believe that the brilliant histories of art belong to everyone, no matter their background. At Smarthistory, the Center for Public Art History, we believe art has the power to transform lives and to build understanding across cultures.
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